A sepia curatorial study plate showing a shrimp-folk face in close-up as a razor crosses its compound eye, with explanatory museum notes at left.
A process-plate accession preserving a severe surrealist film translation with its own curatorial rationale embedded beside it.

Shrimp un Chien Andalou Study

Kept as an intentional meta-surrealist object rather than a clean still, this work folds the prompt, critique, and museum logic into the image itself, making the act of curatorial explanation part of the disturbance.